Monday, December 14, 2009

A Farewell Notice


After three years in Second Life®, I’ve decided to take a break. There are many factors contributing to my decision, both real life and second life.

Without going in to a lot of detail, suffice to say that I have become disillusioned with Linden Lab® and the way they operate creating what I consider a difficult forum in which to operate a Second Life® business. I’ve also become more and more discouraged with the Second Life® platform as it stands. But I’ve blogged about my feelings toward Linden Lab®, so I’ll leave it at that.

My real life has become much busier and I have found lately that I just don’t have as much time to devote to operating within Second Life®. Real Life will always come first and as such, SL will have to be put on hold.

Second Life® has served its purpose for me. It was a welcome therapeutic adventure at a time I needed one. I learned so many things hear that can only help me in real life. I’ve also met so many wonderful people beginning with my life as a newbie right up to today. So many people have helped or encouraged me along my journey and I am appreciative of each one of them. I also like to think that I had some help in the lives of others.

I’ve been discouraged with a lot of things that make it frustrating and lately I’ve become bored with my Second Life®. I no longer spend the time I once did nor feel the creative juices and excitement that once encouraged me.

I am proud of everything I’ve done and accomplished and feel satisfaction that the goals I set for myself early on have been met. With no new goals that interest me, I leave with some satisfaction.

So over the course of the next couple of weeks, I’ll remove my items from XStreet, dismantle my stores and malls and store away my inventory.

At the present time I will keep my account active as I plan to log in once in a while and who knows, I may decide to become more active again in the future.

Thanks to everyone who has made my journey a pleasant one and good luck in your future endeavours.

Jenny

Friday, December 4, 2009

CATE LLEWELLYN "Cold Hand Cate"

by tracy serra

I wandered over to the Drunken Drow the other night to listen to Cate Llewellyn. In real life, Cate Llewellyn is a singer-songwriter living and playing music in the Chicago area.

The evening started out with Cate welcoming everyone who was there (and yes, I was on time this night). She started her set with a cover of Alanis Morrisette’s “Ironic”. I found myself thinking if this was a warm up song, we were in for a fantastic night. New arrivals were welcomed and Cate did a little promotion of the previous performer before covering the Beatles’ “Blackbird”. Before starting she let us know that whenever she sings a Beatles song, she asks everyone to tell her their favorite Beatle. It turns out that Cate and I share the same favorite Beatle: George.

Taking a small break from singing covers, Cate performed an original called "All I Think Of” or the “do-do-do-do song” (which reminded me of the SNL monologue of Taylor Swift. Not the song, the way it was introduced). Letting us all know she is a fan of the Apple line of computers (which I won’t hold against her :p), Cate sang what she called a fun song because it reminded her of Apples’ stuff called “New Soul”.

If you have read my reviews, by now you know I like it when the artist plays the crowd with more than requests to tip the venue. Cate certainly did that when she sang a quick happy birthday song for a friend in attendance after which she told us when she was looking for a man she would like to have created a note she could give to a guy with all the qualities she wanted so she wrote a song about it called “The Note”. Letting us know that a fan had requested she learn the song, “At Last”; tonight was the first time she performed it and was hoping it would turn out OK. I have to say, it went more than OK! Next up was another original she wrote for her sweetheart she found in-world called “Heart Song”. Thanking people for tips received she also reminded everyone to tip the venue with a “please, please, please”, and a “give, give, give”.

As Cate introduced her next song, she said she thought she sounded like she came from Minnesota. Cate told us she never thought she had an accent till she heard herself. The song was called “Cold Hands” and we were told to remind her to ask why it had that title. After the song, and being reminded to give us the song title explanation, Cate told us she has a circulation problem and always complained about having cold hands. I believe a trip to a museum that had a thermal camera proved it when she walked in front if it and her hands were blue on the monitor.

The night was winding down as Cate did a Weepies cover of “Gotta Have You”. More thanking people for tips and apologizing for messing up name pronunciation was followed by an original about feeling lazy called “Today” and “Key West” which was about getting away. A plug for her Subscribe-O-Matic led in to "Landslide” by Fleetwood Mac. After thanking the venue for its support and asking for support for the venue, Cate performed her last song appropriately called “The End”

As her introduction states, Cate “…effortlessly shapes evocative and stirring melodies that capture moods and emotions in their dynamic simplicity!” Cate certainly created moods, and painted emotions this night.

Monday, November 30, 2009

WINTER WETHERBY "Intoxicating"

by jenny heying

With a deep deep voice and a smashing guitar, Winter Wetherby opened his set at the Drunken Drow with “Dublin Blues”. His guitar sounds like he’s ready to launch into something wild any second yet his voice leads you through the drama of the song. He is telling stories that his guitar just wants to whip through. It’s a strange yet intoxicating combination that makes you more inquisitive about the singer-songwriter.

Following with a self penned number called “Headlights In My Heart” gave proof to what Winter is all about. He is dramatic but his stories are appealing. The thrashing sound of his guitar just makes it so much more powerful. I just love the sound of an electric guitar especially when it’s put to the test. Changing to an acoustic he gave us another original song “Far Away Trains” that had just a touch of country feel to it. Sometimes you think he’s a good ole boy, other times you’re sure he’s a rocker. But either way he continues to offer his versions of his life and times through song.

His deep voice is enchanting yet provocative sometimes coming across on the verge of Tom Waits but never quite crossing the line to the other side. His voice is clear with the raspiness you’d expect and with a little bit of a boozed filled feel to it. Okay, it’s intoxicating.

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Wednesday, November 25, 2009

TAUNTER GOODNIGHT "Has Talent"

by jenny heying

With the finals of “Lil Egypt Has Talent”, I felt it only fitting to review the one finalist we haven’t gotten around to yet. So off to Lil Egypt to take in Taunter Goodnight performing the second of the two finalists’ shows. It’s fitting to mention that Tracy Serra had previously reviewed the other finalist Skye Galaxy.

Opening with a raucous version of “When You’re Good To Mama” and an apology for not playing an instrument, you quickly realized that Taunter’s voice is her instrument. It’s strong, clear and doesn’t miss a beat. Her voice suited that song and you can’t help but pay attention. She holds the notes and mixes her tempo perfectly.

Between songs she’s just as powerful and tends to like to talk, almost as much as she likes to sing. Following with a little blues “It Hurts So Bad” showed the range that Taunter has. As much as she is a powerful singer, she doesn’t let the emotions fall by the wayside. The emotion never got in the way though, especially with “Me And Bobby McGee”.

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Saturday, November 21, 2009

CHANDRA DEED "Romance In The Air"

by jenny heying

Relatively new to Second Life® (July 2009) Chandra Deed is definitely not new to performing having performed since the age of three. In the elegant setting of Midnight Romance Ballroom Chandra led off with “Our Day Will Come” followed by “Wishing And Hoping” to a receptive crowd of just under 30.

Chandra has a lovely voice, one that embraces the songs she sings and puts them out for you to embrace as well. It soothes the soul but it’s on songs like “Ooh Baby Baby” that you really get its full impact. Neither overbearing or harsh, her voice is openly sweet but consistent with the tone of what she performs. She hits each note with pinpoint accuracy with backing tracks that complement her target.

Her backing tracks suit her well. Again they are not out in the open but do their job supplementing a singer who leads out with melodic vocals. She sings classic love songs like “Walk On By” with the grace held by only seasoned performers. With every note on every song she holds true to the original performer but elevates it to a new level. She makes the love obvious on “My Valentine” keeping it real and forgiving.

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Tuesday, November 17, 2009

MAXIMILLION KLEENE "Better Late Than Never"

by jenny heying

Having been around Second Life® since mid 2006, I’m not sure why it’s taken me so long to get around to reviewing Maximillion Kleene. But I guess better late than never. Having said that I popped over to Chichen Itza, Mexico to have a listen to him.

Opening with a short slightly Mexican guitar intro he led into a strong version of “The Way” that showcased his ability on the guitar. He plays brilliantly with his guitar setting the melody that his vocals pleasantly follow. He continued with “Only Hope” and while I know it as Mandy Moore, Max made it his own momentarily making me forget the original.

His voice is soothing, carrying the song through its story making you relax and listen to his tales. No matter what he sings, he does so with passion but adds a little flair and fun as noted on “1,2,3,4”. He’s entertaining and while he does have a voice that is easy to listen to, he’s not afraid to venture out and throw in a few wrinkles now and then.

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Friday, November 13, 2009

KOMUSO TOKUGAWA "Cutting Loose"

by jenny heying

Leading off his acoustic set at Le Chat Tavern complete with harmonica, Komuso Tokugawa delivered “King Bee” with a lot of force and some incredible blues guitar. He’s a got a deep voice suited for the blues with a little rasp and a slightly hard edge. He teased us with the mouth harp but just enough to keep us wanting. He continued the blues with “Someday Baby” with a fine little guitar intro smoothing into some wailing away with the harmonica tagging along for the ride. Komuso is made for the blues or rather the blues were made for him. His voice tells a story whether you listen to the lyrics or not.

While the guitar and harmonica provide the focal point, he’s accompanied by a non intrusive drum beat that adds to the bluesy feel making the 50 or so in attendance kick back and enjoy. A rather large crowd these days in Second Life® that packed the small venue requiring (or rather by choice) some to dance on the bar and anywhere else they could find some room.

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